Mai Ueda

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	<title>Mai Ueda</title>
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BIO
Mai Ueda上田舞日常生活に潜む瞬間や物事をアートとして見立てる”とんち”を通してオーディエンス自らが気づきを持てるよう助長したい。２０００年よりニューヨークを拠点に現代アートの世界でパフォーマンス、詞、デザインを通して表現し活動する。世界を旅し、順応性を創造性とし追求する。茶の湯と出会い、２０１４年にチャーティスト集団、ワールドティーギャザリングを発足させる。世界中の美術館やアートイベントでの展示や発表のほか ”ドメインポエム” “drawings from my previous life” “visionair sound” “neen” などの本やレコードなどを出版している。Mai Ueda is an uncompromising artist/being herself. She cherishes art as life, and life as art. Her message is to encourage people to feel for themselves. Having co-founded NEEN, an art movement which concerned itself with the poetic potential of internet and technology in 2000, she has been working across platforms of internet, performance, drawing, poetry and installation, finding herself most comfortable with non-material mediums. Since 2012 Ueda rediscovered her Japanese roots through zen and the tradition of the Tea Ceremony, making it the core of her practice. A Tea Ceremony brings together people to share knowledge and emotions. It creates awareness to enjoy the moment. Ueda uses the traditions of a Japanese Tea Ceremony for reflection upon globalization which is increasingly a westernization. She has exhibited and performed in museums and institutions around the world, including; Seoul Biennial 2004; Venice Biennale 2009, MACRO Rome 2012, MONA Tasmania 2013 and Kochi-Muziris Biennale 2014 and National Gallery singapore. There have been several publications dedicated to Mai Ueda's poetry, drawings and songs. Ueda is a founder of World Tea Gathering a community of Tea Artists, they meet in different places around the world and explore possibilities and meaning of tea as an art form.by Ché Zara Blomfield October 2014


BORNJapan
RESIDESNew York City
EDUCATION1997-1999 Kyoto Collage of Arts, JapanPERFORMANCES &#38;amp; PROJECTS
Tea on the roof of National Gallery SingaporeTea room by Rirkrit Tiravanija“Travel sees” Tea ceremony for a tea room created by Rirkrit TIravanija at Saint Croix museum Poitier, France&#38;nbsp; (2019)"untitled 2018 (the infinite dimensions of smallness)" tea gathering at Piece by Rirkrit Tiravanija National Gallery Singapore (2018)
"Acting things" tea gathering at Piece by Judith Seng Kyoto Art Center (2017)
"no boundaries" tea gathering series on piece by Rirkrit Tiravanija located at Okayama Castle during Okayama Art Summit (2016)
"have tea not war" tea gathering on "tawaraya" boxing ring for Memphis at R and Company New York (2015)
Tea gathering for kochi muziris biennale in Kabral Yard by Valsan Koorma Kolleri(2015)
World Tea Gathering organized a first meeting of tea artists in Iceland (2014)
"Tea ceremony in heaven" organized tea gathering in the garden of summer house in Woodstock upstate New York (2012)
Experimental Tea Ceremony Ceries P3 Sutio, Cosmopolitan of Las Vegas (2012)
Chanel party Tokyo , performance with Open Reel Emsemble (2012)
Electronic Tea Ceremony, Macro Museum of contemporary art, Rome, Italy(2012)
Underground Tea Ceremony, Gloria Maria Gallery, Milan, Italy(2012)
Opening and clothing performance of BIRD CHOIR, video projection room show Freight + Volume (2011)
ARCADIAN NIGHT festival of multimedia and performance, Race brook lodge, MA, U.S.A (2010)
B.Y.O.B by Rafael Rozendaal, Spencer Brown Stone Gallery, New York (2010)
Perforamce for Rirkrit Tiravanija Absolute Award and inaguration of Daniel Birnbaum a new curator at Moderna Museet Stockholm (2010)
Performance at the Box for opening of Charls Bank Gallery, New York (2010)
PERFORMA09: "Family Dinner in the Parallel Universe" Curated by Liutauras Psibilskis, Emily Harvey Foundation,&#38;nbsp;New York (2009)
PERFORMA09: Participation for Girl Machine Produced by Luisa Gui, New York (2009)
PERFORMA09: Singing at Finale, New York (2009)
Venice Biennale : Performance for Embassy of Piracy, Internet Pavilion, Venice, Itally(2009)
Performance for "In Coherence" a show curated by Liutauras Psibilskis at Deborah Colton Gallery, Houston, Texas (2009)
Performance in Athens at Bios (2008)
Performance at Chanel Mobile Art Tokyo Party (2008)
Performance for SWAP, ITEMIDEM x Andrew Crews, Paris, France (2008)
Pirates of the Internet, performance for the opening of FargFabriken, Ostersund, Sweden (2008)
Sound contribution for Visionair 53 with I wanna buy some clothes, published by Visionaire (2007)
Mirror dinner, curated by Future audience during Miami Art fair, Miami Cinematheque, FL (2007)
Singing with The Plastics, Le Bron de Paris Grand Opening, Tokyo, Japan (2006)
Project for Celine, "Mai Bag for Celine" Launch party Performance, Celux Tokyo, Celine Paris (2006)
Performance with Momus "I'll talk You'll sing", Zach Feruer Gallery (LFL) New York, NY (2005)
Performance with Momus, PS1, New York, NY (2006)
Performance, "Le Mepris", Curated by Moniek Voulon, Mediamatic, Amsterdam, Holland (2006)
Performance, Sketch the gallery, London, UK (2006)
Performance, Braga Menendez Contemporaneo, Buenos Aires, Argentine (2005)
Anti Copy Right performance "Cut Piece of Yoko Ono" for Reenact, Curated by Mediamatic, Amsterdam, Holland (2004)
Performance, News From Home, at Anex, White Box, New York, NY (2004)
Special Appearance on Golden BMW, Palais De Tokyo, Paris, France (2004)
Performance, Official clothing ceremony of Atomium, Brussels, Belgium (2004)
Perfprmance for 1minute, April 4th 2004 4:44pm, Neen Today, MU foundation, Eindhoven, Holland (2004)
Performance for Celebration of the Demons, FargFabriken, Stockholm, Sweden (2004)
Performance of Mai's short songs, Purple Institute Organized by Outcast, Paris, France (2004)
Mai Photo Diary on billboard, Curated by Mediamatic, Amsterdam, Holland (2003)
Internet project Iwannabuysomeclothes.com and screensaver for Art production Fund, New York, NY (2003)
Mai in Naples performance for painting and space in Gallery 404, Naples, Italy (2003)
Aibo dog Performance, Museum of Contemporary art Chicago, IL (2002)
Performance for Better than Fantasy, Curated by Paul Groot, Amsterdam, Holland (2001)
Big Brother performance, Invited by Miltos Manetas, Galerie Almin Rech, Pairs, France (2001)

SOLO EXHIBITONS&#38;nbsp;
"Tea Ceremony with Ready mades" series of tea gatherings for the openings of project space,Composing rooms Berlin, (2014)
"Deep sea tea ceremony" old Tomio Koyama/Taka Ishii gallery space, Kyoto, Japan (2013)
"Experimental Tea Ceremony Ceries" P3 Sutio, Cosmopolitan of Las Vegas (2012)
Video projection room and "BIRD CHOIR" performances Freight + Volume, New York (2011)
PERFORMA09: "Family Dinner in the Parallel Universe" Curated by Liutauras Psibilskis, Emily Harvey Foundation, New York (2009)
Sketch the gallery London, UK (2006)
"Romantics" Biz Art, Shanghai, China (2005)
"I A M M A I" M&#38;amp;M Gallery, Antwerp, Belgium (2003)
"Mai Ueda retrospective" Electoronic Orphanage, Los Angeles, CA(2003)
"Porn Turntable" Electropnic Orphanage, Los Angeles, CA (2002)
GROUP EXHIBITIONS
Kochi-Muziris Biennale, Inidia (2015)
"Japonism in Contemporary Art" The Nippon Gallery at the Nippon Club, New York (2014)
RUNNING OUT OF TIME A tea room inCollaboration with Rirkrit Tiravanija, The Red Queen show at MONA, Tasmania, Australia (2013)
DEAR THICK AND THIN, ME contemporary, Copenhagen (2011)
B.Y.O.B by Rafael Rozendaal, Spencer Brown Stone Gallery, New York (2010)
B.Y.O.B by Angelo Plessas, Kunsthalle, Athens (2010)
Happy is a place, Centro Historico, Mexico City (2010)
Performing "solo SCHAU" for CRONE Benefit Auction, Gavin Brown Enterprise , New York (2010)
"Local Emerging Asian Artists Who Don't Make Work About Being Asian" Arario Gallery, New York (2010)
"Toropicalia" Salt Space, New York (2010)
"Knowledge Base" a show curated by Liutauras Psibilskis, Deborah Colton Gallery, Houston, Texas (2009)
"Are You Sure You Are You?" Spencer Brownstone Gallery New York (2009)
"Spam show" curated by Dessislava Dimova, Emails (2007)
"Cohabitats" curated by Charles Barachon, Guislaine Hussenot, Paris, France (2005)
"Neen Porno" Loop video festival, Gallery Delosangeles, Barcelona, Spain (2004)
"Internet Performance Scenery" curated by Jan Vanwoensel, Antwerp, Belgium (2004)
Tirana Biennale, Organized by Flash Art, invited by V. Grancher, Tirana, Albania (2003)
"Afterneen" Casco, Utrecht, Holland (2002)
WhitneyBiennale.com
Lyon biennale, Museum of Contemporary Art France (2001)
Tirana Biennale, curated by Flash Art Italy, invited by Vanessa Beecroft, Tirana, Albania (2001)
Biennale.net Deitch Project, New York, NY (2001)

SELECTED BIBLIOGRAPHY
PUBLICATIONS
Drawings from my previous life published by Automatic Books (2012)
Mai Ueda Domain Poems published by One star press (2005)
Mai Ueda Times published by Celine (2006)
Book on NEEN by Miltos Manetas, published by Carta, Italy(2006)
090 situation, poetry reading song on compilation CD from Sony Japan(2007)
Sound contribution for Visionair 53 with I wanna buy some clothes, by Visionaire (2007)
ARTICLESTea on the roof of National Gallery SingaporeArtiscle on Straits Times
By Redazione, Artribune Italy(2012)
By Marta Stella, Marie Claire Italy(2012)
By Zelia Pastore, Vanity Fair Italy(2012)
By Roberta Smith, Art in Review: Momus and Mai Ueda, NY TIMES, July 01, (2005)By Paul Groot, Self portrait of an artist as a young woman (2004)By Nick Curry Imomus (2006)


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	Mai Ueda&#38;nbsp;
email:  m@maiueda.com
instagtram: togethernesswithuniverse
	

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		<pubDate>Tue, 10 Mar 2020 06:09:40 +0000</pubDate>

		<dc:creator>Mai Ueda</dc:creator>

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		<description>Using Secondary Media 
to Contextualize Primary Arts Media

Media are the communication outlets or tools used to store and deliver information or data. The term refers to components of the mass media communications industry, such as print media, publishing, the news media, photography, cinema, broadcasting (radio and television), and advertising.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
The development of early writing and paper enabled longer-distance communication systems such as mail, including in the Persian Empire (Chapar Khaneh and Angarium) and Roman Empire, which can be interpreted as early forms of media. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Writers such as Howard Rheingold have framed early forms of human communication as early forms of media, such as the Lascaux cave paintings and early writing. Another framing of the history of media starts with the Chauvet Cave paintings and continues with other ways to carry human communication beyond the short range of voice: smoke signals, trail markers, and sculpture.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
The term media in its modern application relating to communication channels was first used by Canadian communications theorist Marshall McLuhan, who stated in Counterblast (1954): "The media are not toys; they should not be in the hands of Mother Goose and Peter Pan executives. They can be entrusted only to new artists, because they are art forms." By the mid-1960s, the term had spread to general use in North America and the United Kingdom. The phrase "mass media" was, according to H.L. Mencken, used as early as 1923 in the United States.(Wikipedia)
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		<title>National Gallery Singapore</title>
				
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		<pubDate>Tue, 10 Jul 2018 00:17:25 +0000</pubDate>

		<dc:creator>Mai Ueda</dc:creator>

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		<description>Tea gathering on the roof top of National Gallery Singapore
Tea room by Rirkrit Tiravanija untitled 2018 (the infinite dimensions of smallness)

It is important to take balance of Yin Yang and five elements in the tea room. For this tropical city on the roof top tea room, I choose watermelon and it's juice to mix with matcha to balance the fire energy. Instead of having a big iron pot boiling in the middle of the tea room.

Article on Art Forum

&#60;img width="2048" height="1314" width_o="2048" height_o="1314" data-src="https://freight.cargo.site/t/original/i/870be03d0b551f62aabd685d08651048fa5b66d35ad1fee1265215ce1437b392/DSC00029-1.jpg" data-mid="63151269" border="0"  src="https://freight.cargo.site/w/1000/i/870be03d0b551f62aabd685d08651048fa5b66d35ad1fee1265215ce1437b392/DSC00029-1.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/a93ac5af819c66e9a3fc19a453a09293a543459f60b734fb5a23ef81e8b0a191/untitled-2018-the-infinite-dimensions-of-smallness-8.jpg" data-mid="63151262" border="0"  src="https://freight.cargo.site/w/800/i/a93ac5af819c66e9a3fc19a453a09293a543459f60b734fb5a23ef81e8b0a191/untitled-2018-the-infinite-dimensions-of-smallness-8.jpg" /&#62;&#60;img width="763" height="509" width_o="763" height_o="509" data-src="https://freight.cargo.site/t/original/i/acbc20bec3bf176bccfe756a22b1437a5a538515fee35486a154855ed50bb057/wl_tearoom_230118.jpg.jpg" data-mid="63151266" border="0"  src="https://freight.cargo.site/w/763/i/acbc20bec3bf176bccfe756a22b1437a5a538515fee35486a154855ed50bb057/wl_tearoom_230118.jpg.jpg" /&#62;&#60;img width="1064" height="532" width_o="1064" height_o="532" data-src="https://freight.cargo.site/t/original/i/9394aded9aaf9742919ca0bf4c48c9bb79fc4aa8fec3fbbf7be826dabc246aeb/featured00_landscape_1064x.jpg" data-mid="63151265" border="0"  src="https://freight.cargo.site/w/1000/i/9394aded9aaf9742919ca0bf4c48c9bb79fc4aa8fec3fbbf7be826dabc246aeb/featured00_landscape_1064x.jpg" /&#62;&#60;img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/2ff182577f8453118fc0680888d8fe6a03b2c7f12d5a484622244322f85da95f/untitled-2018-the-infinite-dimensions-of-smallness-11.jpg" data-mid="63151263" border="0"  src="https://freight.cargo.site/w/800/i/2ff182577f8453118fc0680888d8fe6a03b2c7f12d5a484622244322f85da95f/untitled-2018-the-infinite-dimensions-of-smallness-11.jpg" /&#62;&#60;img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/a0185c278558653f744068cd6544d8d993bfc073c98bc48c300c0eaeafd6a3ca/untitled-2018-the-infinite-dimensions-of-smallness-12.jpg" data-mid="63151264" border="0"  src="https://freight.cargo.site/w/800/i/a0185c278558653f744068cd6544d8d993bfc073c98bc48c300c0eaeafd6a3ca/untitled-2018-the-infinite-dimensions-of-smallness-12.jpg" /&#62;&#60;img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/9129cb11f5b20edad53eda807cc1e3435cea3ece884d566ff3719182811a4472/1736b5c8102e6975c897ab769b9a37d1.jpg" data-mid="63151267" border="0"  src="https://freight.cargo.site/w/800/i/9129cb11f5b20edad53eda807cc1e3435cea3ece884d566ff3719182811a4472/1736b5c8102e6975c897ab769b9a37d1.jpg" /&#62;&#60;img width="790" height="400" width_o="790" height_o="400" data-src="https://freight.cargo.site/t/original/i/a6765ff96565ee2198ea45f3f79a5ecd701c9caa8c2544f2693120c47dc58dec/19db8aa45c4f58e38cae7a665d46746c.jpg" data-mid="63151268" border="0"  src="https://freight.cargo.site/w/790/i/a6765ff96565ee2198ea45f3f79a5ecd701c9caa8c2544f2693120c47dc58dec/19db8aa45c4f58e38cae7a665d46746c.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Acting Things </title>
				
		<link>https://maiueda.com/Acting-Things</link>

		<pubDate>Tue, 05 Mar 2019 10:46:47 +0000</pubDate>

		<dc:creator>Mai Ueda</dc:creator>

		<guid isPermaLink="true">https://maiueda.com/Acting-Things</guid>

		<description>
Judith Seng acting things VI at Kyoto art center 

To activate Judith Seng's work during Gion Matsuri, we choose to serve cold matcha with tapioca bubble, and each object flew in from slip of the curtains as needed.


JUDITH SENG - ACTING THINGS VI - 2017 from Studio Judith Seng on Vimeo.</description>
		
	</item>
		
		
	<item>
		<title>no boundaries </title>
				
		<link>https://maiueda.com/no-boundaries</link>

		<pubDate>Thu, 09 Mar 2017 06:31:42 +0000</pubDate>

		<dc:creator>Mai Ueda</dc:creator>

		<guid isPermaLink="true">https://maiueda.com/no-boundaries</guid>

		<description>For Okayama Art Summit 2016
Rirkrit Tiravanija created a mirrored tea room made of steel on top of base stones where Okayama castle use to be.
Zen garden was expressed by scaffolding for construction site.
Ikebana was expressed as 3D printing of cherry blossom.
I was honored to be hosting tea ceremonies in this contemporary tea room during the summit.
Instead of a usual Hanging scroll, we hang Rirkrit's work, a huge apron with a slogan from May 68 "SOUS LES PAVES LA PLAGE" 
Rirkrit's message by this tea room is to have no boundaries

岡山アートサミット2016年の作品として
リクリット・ティラヴァーニャが元々岡山城が建っていた基礎石の上に鏡のお茶室を作りました
そこで文化交流の期間中お茶会を担当させて頂きました
禅庭に見立てた工事現場の足場を通ってアルミを磨き上げた鏡の茶室に入ります
床の間には３Dプリンティングの桜の木とお軸のかわりにリクリットの作品、でっかいエプロンに５月革命のスローガン"SOUS LES PAVES LA PLAGE" （すべての石畳の下には海岸がある）を飾りました
このお茶室を通したリクリットのメッセージは精神的や物質的な境界を無くす事らしいです

&#60;img width="666" height="444" width_o="666" height_o="444" data-src="https://freight.cargo.site/t/original/i/64c576e6de51ca1ced90cfbf21ec1eb42a16fa75ab00b747bd1290bd4c6ab3bc/1112okayama5_666.jpg" data-mid="63151271" border="0"  src="https://freight.cargo.site/w/666/i/64c576e6de51ca1ced90cfbf21ec1eb42a16fa75ab00b747bd1290bd4c6ab3bc/1112okayama5_666.jpg" /&#62;&#60;img width="638" height="960" width_o="638" height_o="960" data-src="https://freight.cargo.site/t/original/i/44f14fe14c45375191f2ed8bd9eaaad9e69fa42ba350892e967d33b1f5e7a1a9/15235827_979184268894730_3497537726639030121_o.jpg" data-mid="63151275" border="0"  src="https://freight.cargo.site/w/638/i/44f14fe14c45375191f2ed8bd9eaaad9e69fa42ba350892e967d33b1f5e7a1a9/15235827_979184268894730_3497537726639030121_o.jpg" /&#62;&#60;img width="1108" height="1478" width_o="1108" height_o="1478" data-src="https://freight.cargo.site/t/original/i/986c45d6658cedfe77e8bbfe0c262e287c53a08e6b7a0064a390127c66a1d473/20170309151956.jpg" data-mid="63151276" border="0"  src="https://freight.cargo.site/w/1000/i/986c45d6658cedfe77e8bbfe0c262e287c53a08e6b7a0064a390127c66a1d473/20170309151956.jpg" /&#62;&#60;img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/233b9d5ae18bdb7334f00e417dacf88cc108a4f873d48b27304420c7cf1aca7e/14611041_629880040528048_2080808353245654591_n.jpg" data-mid="63151277" border="0"  src="https://freight.cargo.site/w/960/i/233b9d5ae18bdb7334f00e417dacf88cc108a4f873d48b27304420c7cf1aca7e/14611041_629880040528048_2080808353245654591_n.jpg" /&#62;&#60;img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/263c20193c4d749189500ed48f560cd7f91dd57caea89372ff3cd57f44eeae7f/15181269_1141451272558484_5925899151374524017_n.jpg" data-mid="63151272" border="0"  src="https://freight.cargo.site/w/960/i/263c20193c4d749189500ed48f560cd7f91dd57caea89372ff3cd57f44eeae7f/15181269_1141451272558484_5925899151374524017_n.jpg" /&#62;&#60;img width="666" height="444" width_o="666" height_o="444" data-src="https://freight.cargo.site/t/original/i/25b6ebc5fad9d0e8901e6c56f27c1db6b310916b69a543c1cd3ffa0e3c7066c2/1112okayama4_666.jpg" data-mid="63151273" border="0"  src="https://freight.cargo.site/w/666/i/25b6ebc5fad9d0e8901e6c56f27c1db6b310916b69a543c1cd3ffa0e3c7066c2/1112okayama4_666.jpg" /&#62;&#60;img width="480" height="360" width_o="480" height_o="360" data-src="https://freight.cargo.site/t/original/i/fe1345cf8f4e06f24e08b6acd326d45ba6fe75087e65cc588f6d860ad2a0efc2/14657369_10153933751617227_6766057732028339048_n.jpg" data-mid="63151278" border="0"  src="https://freight.cargo.site/w/480/i/fe1345cf8f4e06f24e08b6acd326d45ba6fe75087e65cc588f6d860ad2a0efc2/14657369_10153933751617227_6766057732028339048_n.jpg" /&#62;

Images by Yoshiko Kondo, Hajime Kimura, Juri Ueda and Casa Brutus 


</description>
		
	</item>
		
		
	<item>
		<title>yogitea experiment</title>
				
		<link>https://maiueda.com/yogitea-experiment</link>

		<pubDate>Mon, 23 Jan 2017 07:17:27 +0000</pubDate>

		<dc:creator>Mai Ueda</dc:creator>

		<guid isPermaLink="true">https://maiueda.com/yogitea-experiment</guid>

		<description>Life is never ending dance that's a process towards oneness by find similarities between different things.

人生は終わりのないダンス、同一性と調和を発見するプロセス。

UNIVERSAL LOVE TEMAE

Is a way of making a cup of tea with more than two hands.
Similar idea happens in everyday life. When you are stepping out of a bath as you are remembering about forgetting to bring a towel, a friend or a family gives it to you. When you try to pour a drink to a glass that is located on far side of the table, someone next to you supports your bottle with their left hand.These action comes automatically and spontaneously with no expectation or secret intention, it’s a form of dance that celebrates life. Love does not have to be extreme or self sacrifice, but it exist along with everyday rituals. Universal love temae is a moving meditation to bring consciousness on these kind of love.

ユニバーサルラブテマエは二つ以上の手でお茶を点てるお手前です。お風呂から出ながらタオルを持ってくるのを忘れた事を思い出しそうになった時に家族や友達が差し出すタオル。離れた湯のみに右手でお茶を入れようとしたら左隣の人が左手で急須の蓋を押さえてくれる。愛とは大した事ではなく、こういう日常の儀式なのだと気づくための動く瞑想がユニバーサルラブテマエです。

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/5f17a64637a3d382f1faeca63b10e5d09deca4f5f1ba48c1b68e41da837ed110/IMG_8690_o.JPG" data-mid="63151295" border="0"  src="https://freight.cargo.site/w/1000/i/5f17a64637a3d382f1faeca63b10e5d09deca4f5f1ba48c1b68e41da837ed110/IMG_8690_o.JPG" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/23bf3dc1237ca2ae855ea0cf27d20ac7f6d42325a5e637602f27d5656c8cfeaf/IMG_8688_o.JPG" data-mid="63151284" border="0"  src="https://freight.cargo.site/w/1000/i/23bf3dc1237ca2ae855ea0cf27d20ac7f6d42325a5e637602f27d5656c8cfeaf/IMG_8688_o.JPG" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/024979be577ce80b43c1443918e785120ea33ece7b738a0e49c90b5f2a01d85f/IMG_8668_o.JPG" data-mid="63151280" border="0"  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/&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/d45450de3c6decd14fd0e8ade66d9b302331984e23461f686587de365eabb284/IMG_8694_o.JPG" data-mid="63151290" border="0"  src="https://freight.cargo.site/w/1000/i/d45450de3c6decd14fd0e8ade66d9b302331984e23461f686587de365eabb284/IMG_8694_o.JPG" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/72930383465e8bc3c6720760e704f435ff9cdd66049474b6d2366c23bd7ce61a/IMG_8696_o.JPG" data-mid="63151283" border="0"  src="https://freight.cargo.site/w/1000/i/72930383465e8bc3c6720760e704f435ff9cdd66049474b6d2366c23bd7ce61a/IMG_8696_o.JPG" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/bf5699901d69dfba8c9eedb8ad393fc9e507b08510f13bf74cf132495c013cdd/IMG_8706_o.JPG" data-mid="63151286" border="0"  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data-src="https://freight.cargo.site/t/original/i/a8a657685c4c5eeaf7d3909c9a8b1970c7e3b0b6f4345c18c65a21cb3737f4b3/IMG_8712_o.JPG" data-mid="63151279" border="0"  src="https://freight.cargo.site/w/1000/i/a8a657685c4c5eeaf7d3909c9a8b1970c7e3b0b6f4345c18c65a21cb3737f4b3/IMG_8712_o.JPG" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/0294354092e99b1a35b809a62859af9e25137f9d87004a547706aa44bd2e048d/IMG_8634_o.JPG" data-mid="63151281" border="0"  src="https://freight.cargo.site/w/1000/i/0294354092e99b1a35b809a62859af9e25137f9d87004a547706aa44bd2e048d/IMG_8634_o.JPG" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/5ca09191bd358e5f1231cad1f4c333d3d38dd1221d4a47f452a54d548641c3e3/IMG_8635_o.JPG" data-mid="63151282" border="0"  src="https://freight.cargo.site/w/1000/i/5ca09191bd358e5f1231cad1f4c333d3d38dd1221d4a47f452a54d548641c3e3/IMG_8635_o.JPG" /&#62;
Photos by Edwin David Sam</description>
		
	</item>
		
		
	<item>
		<title>have tea not war</title>
				
		<link>https://maiueda.com/have-tea-not-war</link>

		<pubDate>Sat, 14 Nov 2015 06:55:44 +0000</pubDate>

		<dc:creator>Mai Ueda</dc:creator>

		<guid isPermaLink="true">https://maiueda.com/have-tea-not-war</guid>

		<description>"have tea not war" tea gathering on Tawaraya boxing ring by Masanori Umeda for Memphis at R and Company New York photo :  Pascal Perich clothes : Olympia Le-Tan  mochi :
Rin-nyc 


Why panda?: I am exploring a new version of Nijiriguchi. Nijiriguchi is a small crawl through opening to a tea room, people enter the world of theatre separate from the every day space, a dividing line from “ordinerly” to “extra ordinarily”. Samurai at the time when the nijiriguchi was invented, they had to bow down to feel humble and leave their sword behind. By asking to wear a panda costume, we can see if people are feeling peaceful inside, relaxed and ready enough to take a part of this adventure to enjoy and share the moment. Guests might leave cell phones behind instead of swords.

"茶を飲もう 争いはやめよう" 梅田正徳がメンフィスグループの為にデザインした　”たわらや”　ボクシングリングでの茶会

なぜパンダなのか：躙り口の新しい可能性を追求しています。躙り口はもともと、日常からはなれ非日常の世界に入る境界線として作られました、当時の侍たちは頭を低くしてプライドを低くし、刀を茶室の外に置いて躙り口を通りました。パンダのコスチュームを着ることで、客がリラックスして平常心を保ち、これからの冒険と今に生きる時間を楽しむ用意が出来ているか看ることができます。今なら刀のかわりに携帯電話を茶室の外に置いて行くと良いかもしれません。

場所：ニューヨーク　アールアンドカンパニー 
衣装：オリンピア・ルタン
写真： パスカル・ペリッシュ 
餅： Rin-nyc 


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 MAI UEDA at R &#38;amp; Company Gallery in New York from pascal perich on Vimeo.</description>
		
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		<title>Kochi-Muziris, India</title>
				
		<link>https://maiueda.com/Kochi-Muziris-India</link>

		<pubDate>Fri, 12 Jun 2015 15:33:41 +0000</pubDate>

		<dc:creator>Mai Ueda</dc:creator>

		<guid isPermaLink="true">https://maiueda.com/Kochi-Muziris-India</guid>

		<description>Mai organiazes a tea gathering for the closing day of Koochi-Muziris biennale India, at an art work by Valsan Koorma Kolleri  which is a yard that is constantly changing by a sculptor in collaboration with nature.

Mai has set a mosquito net as a structure of a tearoom, to be able to practically and visually have semi privacy and peaceful independence. Sharing intimate times with guests, we have enjoyed conversation, tea, and signing on a plaster cast on fracture caused during Mai's stay in India. Cast, as well as the yard and nature reminds us of impermanence of life.

南インド、フォートコーチンのビエンナーレにて
現地のアーティストバルサン・クルマ・コレリの日々変わる庭という彫刻の中で
自然と共存することをテーマに
実用と審美性を兼ねた蚊帳を茶室に
パフォーマンスであり、プライベートであるという微妙なバランスの中一人一人のゲストと時を過ごし、インド滞在中に骨折した足のギブスにサインをもらう。ギブス、庭、ビエンナーレの最後の日という現実から無情を感じる

article onNew India Express　インディアエクスプレスに取材していただきました

Kochi Muziris Biennnale　コチビエンナーレはインドで最初のビエンナーレです


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Photos by Shwetal Patel, Sajan Mani, Dipesh Pandya and Mai 

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